Founding Editors: Richard Middleton and Ian Biddle
Current Co-ordinating Editors: Nanette de Jong and Ian Biddle

ISSN 1751-7788

>Volume 1 (2006)
>Volume 2 (2007)
>Volume 3 (2008)
>Volume 4 (2009)
>Volume 5 Special Edition (2010-11)
c
Volume 6 (2012-13)
c
Volume 7 Special Edition (2019)
cVolume 8 (2020)
>Discuss This Volume
>

     

 

 

How to cite this artcle

Below are three conventions for citing the article

Azenha, Gustavo S., 'The Internet and the decentralisation of the popular music industry: critical reflections on technology, concentration and diversification'

You will notice that the article has paragraph numbers on the right-hand side. Both MLA and Chicago style allow for this when citing online journals. Hence, at the end of the citation, include the number of paragraphs thus:

Radical Musicology Convention

Azenha, Gustavo, 'The Internet and the decentralisation of the popular music industry: critical reflections on technology, concentration and diversification', Radical Musicology, Vol. 1, 2006, http://www.radical-musicology.org.uk (17 May), 125 pars.

The format for subsequent references works as follows:

Azenha, pars 4-6.

MLA

Azenha, Gustavo, The Internet and the decentralisation of the popular music industry: critical reflections on technology, concentration and diversification. Radical Musicology 1 (2006): 125 pars. 17 May 2007 <http://www.radical-musicology.org.uk>.

Second references are the same as for the Radical Musicology style.

Chicago Style

Azenha, Gustavo, "The Internet and the decentralisation of the popular music industry: critical reflections on technology, concentration and diversification," Radical Musicology 1 (2006): 125 pars. 17 May 2007 <http://www.radical-musicology.org.uk>.

Second references are the same as for the Radical Musicology style.

Back to this article

 



>About
>Editorial Collective
>Editorial Board
>Contact us
>Submission Guidelines
..Our Supporters
..Copyright Statement

 
  ..Copyright ICMuS
.. RSS feed