Volume 7 (2019) Special Edition: Queer Sounds and Spaces

Edited by Anna-Elena Pääkkölä (University of Turku), John Richardson (University of Turku) and Freya Jarman (University of Liverpool)

This edition of Radical Musicology, Volume 7, is a special edition commissioned by three guest editors, each a significant contributor to recent debates on music and queer theory. Each of the contributors to this edition attempts in different ways to address previously little explored boundary issues relating to queer sounds and spaces, whilst also reconsidering some of the conceptual and methodological tenets of the field. Hailing from Nordic and anglophone research communities, our contributing authors nevertheless tackle questions that fan out across a wide range of places, phenomena, topics, and disciplines.

		Contents
Introduction
Queer Sounds and Spaces: Introduction		Anna-Elena Pääkkölä, John Richardson, Freya Jarman (editors)
		Articles
Paul Attinello		Negotiating with the Archetype: Essentialism versus Heteronormativity
Romance Cartographies: Flamenco Articulations of Queer Spaces in Urban Anadalusia		Ian Biddle
Jack Curtis Dubowsky		Submerged Queer Spaces: Audio Poiesis and Documentary Film
New Romantic Queering Tactics of English Pop in Early Thatcherite Britain and the Second British Invasion		Kari Kallioniemi
Fred Maus		'What if music IS sex?' Suzanne Cusick and Collaboration
The Sublime Space of Male Masochism in Elvis Costello's 'When I Was Cruel No. 2'		Anna-Elena Pääkkölä
John Richardson		Virtual Spaces and Gendered Meanings in the Production and Performances of Studio Killers
Transgender Hearing and Healing: The Musical Processing of Trauma in Boys Don't Cry and The Brandon Teena Story		Susanna Välimäki
Jon Mikkel Broch Ålvik		Touching from a Distance: Imagining Marit Larsen in Queer Spaces
		Notes on Contributors